Here’s a fun fact for anyone who ever made a middle-school Earth Day poster: Robert Rauschenberg made the very first one for the very first Earth Day, which was celebrated on April 22, 1970. Besides ...

(CORRECTION: South Seas paid $45 million for the Rauschenberg property. An earlier version of this story had an incorrect amount) Captiva Island resort South Seas paid $45 million to buy the 22-acre ...

The Robert Rauschenberg Foundation is marking the artist’s 100th birthday with a slate of international events and exhibitions, as well as a series of grant-making initiatives. Launching in 2025 and ...

The New York foundation that owns late art icon Robert Rauschenberg’s Captiva Island property plans to sell the place and end its longtime artists residency program there. The announcement comes as ...

In Robert Rauschenberg’s Rebus, a collection of curiosities is fixed on top of a neutral backdrop of browns, grays, and taupes. Newspaper clippings, black and white photographs, and even a drawing by ...

“Robert Rauschenberg: Among Friends,” which opened this week at MoMA, celebrates not only the multitalented American artist's work, but specifically his taste for collaboration. The anticipated ...

Robert Rauschenberg, "Untitled (Early Egyptian)" (1973), sand and acrylic on cardboard with bicycle, fabric, twine, metal bucket, and wood, 153 1/2 x 193 3/8 x 46 1/8 inches (© Robert Rauschenberg ...

Robert Rauschenberg made large-scale art. His painting “Port of Entry,” one of the two hundred and fifty works on view in the scintillating new Rauschenberg retrospective at the Museum of Modern Art, ...

An exhibition of prints and multiples reminds us why, in his centenary year, the versatile New York School virtuoso still matters. One might wonder what Robert Rauschenberg (1925–2008) would think of ...

See more of our trusted coverage when you search. Prefer Newsweek on Google to see more of our trusted coverage when you search. Updated | I am sitting on a white beach as the sun sets over the Gulf ...

In the early ’70s the artist dispensed with collage, making airy cardboard sculptures that challenged the macho posturing that had overtaken American sculpture. By Deborah Solomon Which one is better ...