Any discussion about the genius of Orson Welles' career inevitably turns to his complete mastery of the camera. He insisted on his films being truly cutting edge in his use of angles and deep focus, ...

Cameron Denler is a freelance Features writer for Collider. In addition to being an (amateur) historian of film and TV, he is a songwriter and musician who is always at home with his acoustic guitar.

Add Yahoo as a preferred source to see more of our stories on Google. Few cinematic tools are used as often — and as badly — as the oner. Also known as a long take or a one shot, a oner is pretty much ...

The American Cinematheque and Art Directors Guild Film Society series, “Setting the Scene,” continues Sunday at the Aero Theatre in Santa Monica with a screening of Orson Welles’ 1958 film noir ...

A new Blu-ray upgrade of the director's 1948 Shakespeare adaptation invites a closer look at the technical and thematic ideas Welles would continue to explore until his death. When asked about the ...