A quarter-century of cinema in reflection — how the movies changed, what they carried forward, and why they still matter.

At its best, Joy Williams’s “The Pelican Child” is delightfully unhinged; at its worst, willfully weird and repetitive.

Alicia Silverstone reminisced on her late mom Didi Silverstone’s cameo in Clueless while celebrating the film’s 30th ...

Armond White is National Review’s culture critic and the author of New Position: The Prince Chronicles and Make Spielberg Great Again: The Steven Spielberg Chronicles. A psychodrama about the West’s ...