This article is part of our feature topic Legality.

Johanna Siegler reviews the group exhibition ‘For Real For Real’ curated by Claudia Rankine and The Racial Imaginary ...

Lygia Clark at Neue Nationalgalerie by Fionn Adamian // June 27, 2025. Art history likes clairvoyants. Divine as a tea leaf, ...

Apply for Opportunities: Berlin Art Link’s Artist open calls and residencies listing ...

Adela Lovric reviews the group exhibition ‘Fixing Futures. Planetary Futures between Speculation and Control’ at MGGU, ...

Privileging Utterances as Forms: An Interview with Allison Janae Hamilton Interview by Jack Radley // June 12, 2020 Allison Janae Hamilton triangulates her artwork between her Kentucky birth, Florida ...

Promethean Gestures: Amélie Laurence Fortin’s ‘Sunburst’ at Künstlerhaus Bethanien by Noëlle BuAbbud // Oct. 13, 2020 ‘Sunburst’ consists of a two-part installation made over the course of Canadian ...

What Rolls Off the Tongue Must Be True: An Interview with Stephanie Hier Article by Sarah Messerschmidt // Mar. 13, 2019 Stephanie Hier often refers to the adage “falling down a rabbit hole” to ...

Extinction Comes in Waves: Dakar Biennale’s ‘The Wake’ by Sean Smuda // Nov. 15, 2024 The 15th Dakar Biennale, ‘The Wake,’ takes place in the Ancien Palais de Justice near the western-most point of ...

Nadine Fecht by Dagmara Genda, studio photos by Ryan Molnar // Apr. 14, 2023 When, during our studio visit, Nadine Fecht asks “how can we co-exist together?” she speaks to the tension between the ...

The act of giving voice to the unheard, of giving breath to an archive, combined with Dalberg’s use of non-human sound in the video pushed me towards situating this transhistorical work within the ...